Energy Crisis Pushes Ceramic Industry to the Brink
Bangladesh’s ceramic industry is facing one of its toughest periods in decades, as soaring gas prices and unstable energy supply strain production and profitability. Between 2015 and 2023, gas prices in the manufacturing sector surged by about 345 percent, including a 150 percent hike in 2023 alone. This escalation has raised production costs by 18-20 percent, since gas serves as both a key energy source and raw material. Yet, producers cannot freely increase prices due to competition from
MADE IN BANGLADESH: Homegrown Champions of Change
Bangladesh’s meteoric rise in the global garment industry has long been admired, and now a deeper transformation is underway — one that reflects diversification, resilience, and ambition. Amid global supply chain realignments and rising manufacturing costs in East Asia, Bangladesh has emerged as one of the world’s most export-ready economies. But beyond the looms and threads, “Made in Bangladesh” businesses are stepping into the spotlight — from green technology and agribusiness to pharmaceuticals and consumer goods.
Architect Marina Tabassum A Rare Brilliance
Architect Marina Tabassum has carved a luminous path that transcends architecture and redefined design as a language of place—rooted in climate, culture, and community. Her Bait Ur Rouf Mosque, completed in 2012, became a global milestone when it earned the Aga Khan Award for Architecture in 2016. In 2025, she achieved the rare distinction of winning the Aga Khan Award again, this time for Khudi Bari. Her brilliance extends far beyond these awards. Tabassum has designed the Museum of
IAB Build Expo, ArchSummit See Vibrant Participation of Architects on Day 2
Day two of the global events of the Institute of Architects Bangladesh (IAB) — the IAB Build Expo 2025 and Bangladesh ArchSummit 2025 — saw vibrant participation from architects, designers, academics, and industry leaders from home and abroad. While the ArchSummit hosted curated seminars and panel discussions for registered participants, addressing key issues within the contemporary architectural landscape, the IAB Build Expo — the country’s largest exhibition of building materials and construction innovations — remained open to all visitors. Held at the Bangladesh-China Friendship Conference Centre (BCFCC) in the capital alongside the expo, IAB launched Bangladesh ArchSummit 2025 under the theme “Crafting Space, Shaping Habitat.” The three-day event, running from December 11 to 13, brought together global and local experts from various fields to engage in dialogue on the future of Asia’s built environment. The ground floor of BCFCC hosted a lively exhibition where leading brands showcased their latest products and innovations, allowing visitors to explore advancements that support stronger, safer, and more sustainable construction. The second floor featured a dedicated ArchSummit seminar hall, with adjacent corridors displaying award-winning architectural projects from Bangladesh, creating a well-curated and dynamic event overall. Architect Rashed Chowdhury, a practising architect and founder of Dehsar Works (DW), opened the second day’s roundtable discussion on the “Poetics of Crafting Spaces” with a fundamental question: “Where is here?” “Our geographical and socio-political context inevitably shapes our responsibilities as designers — influencing how we think about space-making and the materials we choose,” he said. By posing this question, he invited participants to examine how the sense of belonging is defined, whether “here” is determined by political boundaries or by the deeper, more enduring contours of culture and identity. Speaking on materiality, award-winning green architect Rizvi Hassan remarked that it is much like cooking — and that, like any good chef, architects should feel free to use all the ingredients available to them. Shamsul Wares, a trailblazer of contemporary Bangladeshi architecture and an eminent art critic, reflected on how modern architecture’s obsession with efficiency has fallen short, arguing that true value lies in quality and the poetic dimension of space. “Architecture is about designing experience,” he said, highlighting light as both phenomenon and material. Wares urged architects to learn from modernity’s mistakes while considering the body, soul, and society in their work. “All art wants to be poetry. Poetry wants to be music. And music ultimately wants to be spirituality,” he concluded. The event’s guest of honour, Architect Fawad Suhail Abbasi, president of the Institute of Architects, Pakistan (IAP), reflected on how the day’s discussion prompted him to reassess his own practice. With his firm long focusing on brick and sustainable architectural practice, he realised that one cannot overlook the foundational lessons inherited from peers and mentors. He emphasised the importance of finding the mentor within oneself, following that inner direction, and discovering one’s own architectural path, much like the evolving journey of Bangladeshi architects today. After a break for prayer and lunch, a second panel discussion on design, dialogue, and direction in shaping habitat brought together local architects and academics. The discussion highlighted how governments worldwide often overlook the realities of architectural practice — advising against costly materials without recognising that every material has its place when used appropriately. One panellist noted that while academic curricula aligned with the SDGs have expanded, they fail to create responsible citizens who can truly improve the city and country. The day concluded with the IAB Induction Ceremony 2025, welcoming its new fellows and members. Chief Adviser of the Government of Bangladesh, Muhammad Yunus, conveyed his heartfelt congratulations virtually, noting that one of the year’s first significant milestones was the unification of the Architects’ Association of South Asia. With representatives from seven countries coming together, he emphasised that this collaboration would strengthen knowledge exchange, professional cooperation, and a sense of fraternity among architects across the region — particularly as many of their challenges remain shared. Written by Fariha Hossain
MADE IN BANGLADESH: Homegrown Champions of Change
Bangladesh’s meteoric rise in the global garment industry has long been admired, and now a deeper transformation is underway — one that reflects diversification, resilience, and ambition. Amid global supply chain realignments and rising manufacturing costs in East Asia, Bangladesh has emerged as one of the world’s most export-ready economies. But beyond the looms and threads, “Made in Bangladesh” businesses are stepping into the spotlight — from green technology and agribusiness to pharmaceuticals and consumer goods. It’s time the world pays closer attention to the homegrown brands proudly carrying the “Made in Bangladesh” label. The list is far from exhaustive, as Bangladesh is home to many more brands that deserve global recognition. In this special feature, we bring into focus five companies and visionaries who have not only grown with the country but have also redefined what it means to be a “Made in Bangladesh” business. From expanding beyond borders to competing with international players, their journeys reflect the spirit of a nation that refuses to be boxed in. A common thread binds them all — a relentless desire to rise despite the odds. To begin the story, there is none other than Anis Ud Dowla, the visionary chairman of ACI Group. A pioneer in every sense, Dowla represents the kind of leadership that has helped redefine the possibilities of Bangladeshi enterprise. Next comes Hossain Khaled, Chairman of City Bank. This visionary banker played a crucial role in transforming a struggling bank with weak financials into one of the top lenders in the country. From the travel and tourism field, Sadia Haque — co-founder and CEO of ShareTrip — steals the spotlight with her innovations in the sector. The full-stack travel solutions her firm offers have brought about a massive change in the tourism landscape of Bangladesh. No story on Bangladesh would be complete without mentioning Ahsan Khan Chowdhury, chairman and CEO of Pran-RFL Group — a perfect example of how a legacy can be nurtured and turned into an empire. And last but not least, Walton Hi-Tech Industries PLC — the first Bangladesh-origin company to ship electrical and electronic appliances to international markets — stands as a testament to the nation’s growing industrial prowess. Let’s explore the trailblazers behind the “Made in Bangladesh” renaissance. A Beacon of Principled Leadership In Bangladesh’s corporate history, few names command as much respect as M. Anis Ud Dowla. At a time when business and politics often converge, Dowla has carved a distinct path—one rooted in ethics, innovation, and an unwavering commitment to national progress. His career began not in boardrooms but in the field, as a young executive with British Oxygen. Over nearly three decades, he rose through the ranks, managing operations across Pakistan, Kenya, and Bangladesh. That global exposure laid the foundation for a leadership style defined by experimentation and efficiency. The defining moment came in 1992, when Imperial Chemical Industries (ICI) offered him a chance to take over its Bangladesh operations. The deal was unconventional: a “pay-as-you-earn” arrangement that required no upfront capital. Dowla accepted, and Advanced Chemical Industries (ACI) was born. “The beginning was challenging, but I made sure that no matter what, I would remain fair to my workers,” Dowla said. “I assured them that they would receive a fair share of the benefits for the efforts they were putting in. It was a 60:40 profit-sharing arrangement between the investors and workers. And it paid off.” From modest beginnings with just 352 employees, ACI has grown into one of the country’s largest conglomerates, now employing over 30,000 people across 29 subsidiaries. Its portfolio spans pharmaceuticals, consumer goods, agribusiness, and logistics. Under Dowla’s leadership, ACI became the first Bangladeshi company to earn ISO 9001 certification, setting a benchmark for quality and transparency. “I wanted to have a guardian who would ensure that there was no compromise in quality. The ISO certificate did that for me. They used to visit ACI, conduct audits, and help me produce quality products every time.” “I went for the certificate to fulfil my dream of remaining true to our customers and never deceiving anyone in any way.” Despite his success, Dowla remains grounded. His philosophy centres on values—quality, fairness, customer focus, and continuous improvement. These principles, he insists, are not slogans but lived realities within the company. Dowla’s views on politics are equally clear-cut. He believes that mixing business with political ambition undermines merit and compromises governance. “I strongly believe entrepreneurs should not enter politics, and politicians should not be entrepreneurs.” For Dowla, politics is a service, not a career path for entrepreneurs. At ACI, employees are treated as family. The ACI chairman sees leadership as a process of unlocking human potential. To young entrepreneurs, his advice is simple yet profound: pursue what you love, embrace failure as a lesson, and never settle for shortcuts. Even in his late eighties, Dowla remains active, drawing energy from ideas rather than rest. In an era of blurred boundaries and shifting values, Anis Ud Dowla stands as a beacon of principled leadership—an icon admired not just for what he built, but for how he built it. From Startup to Market Leader When Sadia Haque set out to build a travel platform, her vision was rooted in something deeper than bookings and itineraries. “We wanted a travel tech platform where everything would be shared,” said the ShareTrip CEO and Co-Founder. “Sharing of adventure, sharing of experience, sharing of laughter, and sharing of joy. And from that perspective, the name came as ShareTrip.” That philosophy of connection would go on to shape one of Bangladesh’s most successful digital ventures. Drawing on her background in telecoms, media, and technology, Haque channelled over a decade of corporate experience into a startup that would soon redefine how the country travels.
Architect Marina Tabassum A Rare Brilliance
Architect Marina Tabassum has carved a luminous path that transcends architecture and redefined design as a language of place—rooted in climate, culture, and community. Her Bait Ur Rouf Mosque, completed in 2012, became a global milestone when it earned the Aga Khan Award for Architecture in 2016. In 2025, she achieved the rare distinction of winning the Aga Khan Award again, this time for Khudi Bari. Her brilliance extends far beyond these awards. Tabassum has designed the Museum of Independence, Panigram Eco Resort, Hamidur Rahman Memorial Complex, and Comfort Reverie, each reflecting her mastery of rhythm, sustainability, and memory. Internationally, she was commissioned to design the Serpentine Pavilion in London. Marina studied architecture at the Bangladesh University of Engineering and Technology (BUET) and founded her own firm, Marina Tabassum Architects (MTA), in 2005. She has taught at renowned institutions worldwide: Professor at the Technical University of Delft (2022–23), Gerald Sheff Visiting Chair at the University of Toronto, and lecturer at the Harvard Graduate School of Design, University of Texas, Bengal Institute, and BRAC University. Her work has earned numerous international accolades, including an honorary doctorate from the Technical University of Munich, the Arnold Brunner Memorial Prize from the American Academy of Arts and Letters, the Gold Medal from the French Academy of Architecture, and the Soane Medal in Architecture from the United Kingdom. She chairs FACE (Foundation for Architecture and Community Equity) and Prakriti, a fair‑trade organization, and is a fellow of the Royal Society of Arts. Between 2017 and 2022, she served on the Steering Committee of the Aga Khan Award for Architecture. Her accolades span continents: TIME 100 (2024), Chevalier of Arts and Letters (2023), UIA Vassilis Sgoutas Prize (2023), Jameel Prize (2018), and Prospect’s Top Ten Thinkers (2020). Bait Ur Rouf Mosque In the northern edge of Dhaka, beside the Turag Canal, the Bait Ur Rouf Mosque rises as a beacon of simplicity, spirituality, and environmental consciousness. Designed by Marina Tabassum in 2006, the project was deeply personal—commissioned by her grandmother, who donated the land. The mosque rejects ornamentation, instead embracing perforated brickwork that allows natural light and ventilation to animate the prayer hall. This environmentally friendly approach is rare in Bangladesh, where mosques often rely on artificial cooling and lighting. Here, light itself becomes the architecture—shifting with the hours of prayer, creating atmospheres of contemplation and serenity. Tabassum’s design responds to both urban transformation and community needs. As Dhaka’s sprawl consumed open spaces, she envisioned the mosque as more than a place of worship: a plinth and gathering space for dialogue, reflection, and social interaction. Rooted in Islamic tradition, where mosques historically served multiple civic functions, the building reclaims that identity for modern times. The prayer hall, rotated to align with the qibla, is supported by eight columns and wrapped in load‑bearing brickwork, balancing cost efficiency with timeless strength. Awarded the Aga Khan Award for Architecture in 2016, Bait Ur Rouf Mosque stands as a model of climate‑responsive, community‑driven design—an enduring testament to the power of light, space, and faith. Khudi Bari In Bangladesh’s fragile deltaic landscape, where rivers shift and floods displace thousands, Marina Tabassum envisioned Khudi Bari—a self‑initiated experiment that has grown into a global model of resilience. Meaning “small house,” the lightweight, modular shelter is built from bamboo and corrugated metal, designed to be assembled quickly, relocated easily, and withstand the pressures of a volatile climate. What began as a modest idea has transformed lives across chars, floodplains, and refugee camps. Families who once lost everything to river erosion now remain together during disasters, a safeguard against child marriage and trafficking. In Rangpur, when surrounding homes collapsed in a storm, Khudi Bari units stood firm. The design’s impact extends beyond Bangladesh. The Vitra Design Museum in Germany acquired a Khudi Bari for its permanent collection, while the World Food Programme commissioned Tabassum to adapt the system for Rohingya refugee camps in Cox’s Bazar. There, Khudi Bari evolved into women‑friendly community centres, food distribution outlets, and “Shantikhana” or Houses of Peace—spaces for education, livelihood, and healing. Awarded the Aga Khan Award for Architecture in 2025, Khudi Bari is more than shelter. It is architecture as empathy—an elegant, low‑cost structure that restores dignity, strengthens communities, and redefines how design can serve humanity. To honour the brilliance and achievements of Architect Marina Tabassum, Ceramic Bangladesh Magazine, a publication of the Bangladesh Ceramic Manufacturers and Exporters Association (BCMEA), in partnership with ArchiConnect—the first and largest digital platform for architects and professionals in the construction industry in Bangladesh—organised a grand event at the Renaissance Dhaka Gulshan Hotel on November 8. Architect Moushumi Ahmed moderated the beautifully crafted night, attended by the country’s leading architects, real estate and construction industry leaders, and media personnel. In his opening remarks, Architect Jalal Ahmed, FIAAB, KIA, founder and CEO of ArchiConnect, said: “Winning the Aga Khan Award for Architecture—often referred to as the ‘Oscar of architecture’—was no accident. It is the result of her deep thinking, clarity of perspective, and unwavering ethical commitment.” PANEL DISCUSSION The grand event had a panel discussion featuring the country’s top architectural minds. Architect Mahmudul Anwar Riyaad, principal designer and director of DWM4 Architects, moderated the session, opening with the question of how the Aga Khan Awards had affected architects during the 1980s. Architect Fuad Hassan Mallick, professor and dean of the School of Architecture and Design at BRAC University, recalled the surprise of the first award cycle: “I personally felt that architecture’s spectrum is much larger than what we understood—and also it seemed relevant for our country. This sort of thing ended up being number one for many of us. After that, when Mimar magazine appeared, we understood architecture is not only Western, American, and Europe‑centric. Something is there in our region also.” Architect Nahas Ahmed Khalil, principal designer of ARC Architectural Consultants, praised the honesty in Marina’s design
Energy Crisis Pushes Ceramic Industry to the Brink
Bangladesh’s ceramic industry is facing one of its toughest periods in decades, as soaring gas prices and unstable energy supply strain production and profitability. Between 2015 and 2023, gas prices in the manufacturing sector surged by about 345 percent, including a 150 percent hike in 2023 alone. This escalation has raised production costs by 18-20 percent, since gas serves as both a key energy source and raw material. Yet, producers cannot freely increase prices due to competition from cheaper imports, forcing many factories into losses. The government is now considering another 152 percent gas price hike, which could raise rates to Tk 30-75.72 per cubic meter, further lifting costs by 30-35 percent and impacting other major sectors. Unstable Gas Supply and Factory Shutdowns For ceramic producers, a consistent gas supply is vital, as the industry depends on a 24-hour flow at steady pressure—around 15 PSI—for uninterrupted kiln operation. In reality, however, gas pressure often drops to 2–3 PSI or even zero, halting production. Despite paying full rates, factories in hubs such as Savar, Dhamrai, Rupganj, Tongi, Gazipur, Narsingdi, and Mymensingh face frequent disruptions, with 20–25 units affected daily, causing losses of about Tk 20 crore and export order cancellations. BCMEA President: The Sector Is Under Severe Pressure “Currently, the country’s ceramic manufacturers are grappling with a sharp decline in sales and rising production costs amid unstable gas supply and a sluggish construction sector,” said Moynul Islam, president of the Bangladesh Ceramic Manufacturers and Exporters Association (BCMEA). He explained that gas shortages and high fuel costs have pushed production expenses up by 18-20 percent, forcing many factories to reduce output and offer deep discounts just to stay in business. “The ceramics sector is under severe pressure,” he said. Islam highlighted that the industry plays a crucial role in employment generation and foreign exchange earnings. “Lead (Pb) and Cadmium (Cd)-free tableware and affordable sanitary ware are essential for modern living. Bangladesh needs affordable tiles, tableware, sanitary ware, and ceramic bricks to meet domestic demand and support our $1 billion monthly foreign currency inflow. This prominent sector employs millions and still has scope for further investment.” “When gas supply drops, factories switch to alternative fuels, which significantly increase costs. Profit margins have shrunk, and some producers are even running at a loss,” he added. According to BCMEA estimates, sales of tiles, sanitary ware, and tableware have fallen by 15-40 percent since mid-2024. “After the fall of the Awami League government during the ‘July Uprising’ last year, the artificial economic bubble burst, weakening demand for construction materials. Many projects slowed, and the private housing market cooled. As a result, factories are operating well below capacity, with unsold goods piling up in warehouses,” said Islam. He added that the entire construction value chain—including cement, steel, and ceramics—has been affected by the broader economic slowdown. “If development projects regain momentum and gas supply stabilises, the market will gradually recover. We expect business confidence to return once these challenges are addressed,” the BCMEA president said. Energy Sector Woes Compound the Crisis Shafiqul Alam, lead energy analyst for Bangladesh at the Institute for Energy Economics and Financial Analysis (IEEFA), said all industrial sectors, including ceramics, are suffering due to energy supply disruptions or reduced supply. “Bangladesh’s growing reliance on the international fossil fuel market—now accounting for about 56 percent of total energy supply—has made the system highly vulnerable to global price shocks,” he said. Although energy efficiency has improved in industries, there is untapped potential too. Further, transmission and distribution losses in the gas sector remain significant. “Had these losses been minimized, the gas shortage facing industries could have been slightly reduced,” Shafiqul noted. He added that despite several gas price hikes at industrial levels, supply to industries remains insufficient. For the ceramics industry, he recommended improving kiln efficiency and enhancing energy efficiency in captive power generation by utilizing waste heat to cut energy use and costs. Fiscal and Policy Burdens Beyond the gas crisis, the ceramic industry faces additional challenges from import delays, high raw material costs, and steep bank interest rates. Compounding these pressures are additional duties—currently 15 percent on locally made tiles and 10 percent on sanitary ware—that make domestic products less competitive. Industry leaders argue that these duties are counterproductive, as ceramic goods are no longer luxury items but basic necessities for hygienic living. High taxes, they warn, may deprive citizens of affordable sanitation products and undermine the government’s “Sanitation for All” initiative. The BCMEA has urged policymakers to refrain from further gas price hikes for industrial users, ensure uninterrupted gas supply at stable pressure levels, and withdraw additional duties on local ceramic products. Policy and Renewable Solutions Dr. Masrur Reaz, chairman of Policy Exchange Bangladesh (PEB), believes the ceramic sector still holds “immense potential,” but supportive policies are crucial. “Despite skilled workers, a growing domestic market, and strong international demand, the industry has yet to reach its full potential due to unsupportive policies,” said Dr. Reaz. “Even with modern technology and efficient management, factories suffer daily losses when gas pressure drops or supply is disrupted. Additional duties also make local products less competitive than imports.” He urged the government to recognise the industry’s strategic role in employment, exports, and infrastructure. “Practical steps—such as halting further gas price hikes, ensuring stable supply, and reviewing duties on local tiles and sanitaryware—are essential to stabilise the sector.” Dr. Reaz also advocated renewable energy as a sustainable solution. “Installing solar panels on rooftops or open land allows ceramic manufacturers to generate their own power, reduce gas dependence, cut costs, and promote eco-friendly production.” He noted Bangladesh’s strong export potential, especially in South Asia, the Middle East, and the United States, where tariffs are more favourable. “Removing internal barriers, fostering innovation, and expanding exports can unlock the industry’s full
IAB Build Expo, ArchSummit See Vibrant Participation of Architects on Day 2
Day two of the global events of the Institute of Architects Bangladesh (IAB) — the IAB Build Expo 2025 and Bangladesh ArchSummit 2025 — saw vibrant participation from architects, designers, academics, and industry leaders from home and abroad. While the ArchSummit hosted curated seminars and panel discussions for registered participants, addressing key issues within the contemporary architectural landscape, the IAB Build Expo — the country’s largest exhibition of building materials and construction innovations — remained open to all visitors. Held at the Bangladesh-China Friendship Conference Centre (BCFCC) in the capital alongside the expo, IAB launched Bangladesh ArchSummit 2025 under the theme “Crafting Space, Shaping Habitat.” The three-day event, running from December 11 to 13, brought together global and local experts from various fields to engage in dialogue on the future of Asia’s built environment. The ground floor of BCFCC hosted a lively exhibition where leading brands showcased their latest products and innovations, allowing visitors to explore advancements that support stronger, safer, and more sustainable construction. The second floor featured a dedicated ArchSummit seminar hall, with adjacent corridors displaying award-winning architectural projects from Bangladesh, creating a well-curated and dynamic event overall. Architect Rashed Chowdhury, a practising architect and founder of Dehsar Works (DW), opened the second day’s roundtable discussion on the “Poetics of Crafting Spaces” with a fundamental question: “Where is here?” “Our geographical and socio-political context inevitably shapes our responsibilities as designers — influencing how we think about space-making and the materials we choose,” he said. By posing this question, he invited participants to examine how the sense of belonging is defined, whether “here” is determined by political boundaries or by the deeper, more enduring contours of culture and identity. Speaking on materiality, award-winning green architect Rizvi Hassan remarked that it is much like cooking — and that, like any good chef, architects should feel free to use all the ingredients available to them. Shamsul Wares, a trailblazer of contemporary Bangladeshi architecture and an eminent art critic, reflected on how modern architecture’s obsession with efficiency has fallen short, arguing that true value lies in quality and the poetic dimension of space. “Architecture is about designing experience,” he said, highlighting light as both phenomenon and material. Wares urged architects to learn from modernity’s mistakes while considering the body, soul, and society in their work. “All art wants to be poetry. Poetry wants to be music. And music ultimately wants to be spirituality,” he concluded. The event’s guest of honour, Architect Fawad Suhail Abbasi, president of the Institute of Architects, Pakistan (IAP), reflected on how the day’s discussion prompted him to reassess his own practice. With his firm long focusing on brick and sustainable architectural practice, he realised that one cannot overlook the foundational lessons inherited from peers and mentors. He emphasised the importance of finding the mentor within oneself, following that inner direction, and discovering one’s own architectural path, much like the evolving journey of Bangladeshi architects today. After a break for prayer and lunch, a second panel discussion on design, dialogue, and direction in shaping habitat brought together local architects and academics. The discussion highlighted how governments worldwide often overlook the realities of architectural practice — advising against costly materials without recognising that every material has its place when used appropriately. One panellist noted that while academic curricula aligned with the SDGs have expanded, they fail to create responsible citizens who can truly improve the city and country. The day concluded with the IAB Induction Ceremony 2025, welcoming its new fellows and members. Chief Adviser of the Government of Bangladesh, Muhammad Yunus, conveyed his heartfelt congratulations virtually, noting that one of the year’s first significant milestones was the unification of the Architects’ Association of South Asia. With representatives from seven countries coming together, he emphasised that this collaboration would strengthen knowledge exchange, professional cooperation, and a sense of fraternity among architects across the region — particularly as many of their challenges remain shared. Written by Fariha Hossain
Bangladesh ArchSummit 2025 Begins Alongside the IAB Build Expo 2025
The Institute of Architects Bangladesh (IAB) inaugurated the Bangladesh ArchSummit 2025 today, December 11. This year’s theme, “Crafting Space, Shaping Habitat,” sets the stage for a grand celebration of architecture, education, profession and practice, ideas, innovation, and excellence. Running in parallel with the Summit, IAB also launched the IAB Build Expo 2025, the country’s largest exhibition of building materials and construction innovations. Both events will continue until December 13 at the Bangladesh China Friendship Conference Centre (BCFCC). The Summit is open exclusively to registered participants, while the Expo is open to all visitors. This year’s Summit has been carefully planned with a distinguished lineup of renowned international and national speakers, along with a range of enriching programmes, including an exhibition of award-winning architectural works, roundtable discussions, a young citizens’ painting competition, a photography competition, and exciting cultural events for registered participants. Participants will also have the opportunity to attend the Student Forum, Youth Forum, and plenary sessions, where esteemed speakers will share their ideas, design philosophies, and professional insights throughout the three-day event. Day One began with the Student Forum, featuring a quiz and debate competition, and included the Summit and Build Expo Inauguration Ceremony. Other attractions include the Open Photography Competition, Young Citizens’ Painting Competition, and Public Exhibition on Architecture. The Young Painting Exhibition features curated artworks submitted by students from Classes 6 to 10. The jury panel for the selection included Architect Rafiq Azam, artist Afzal Hossain, and Farida Zaman. The theme of the architectural works exhibition, PEOPLE | PLACE | PRESENCE, celebrates architecture that shapes communities, responds to context, and defines presence through space. The exhibition showcases curated works selected from project submissions in the following categories: Internationally Awarded Projects (2024–2025) from Bangladesh IAB & BERGER Award Projects (last cycle) Public Projects (nationwide) Projects Located in Old Dhaka The project selection team comprised Dr. Abu Sayeed M Ahmed, Ar. Khan Md. Mahfuzul Hug Zaglul, Ar. Nowajish Mahbub, Dr. Khurshid Zabin Hossain Taufique, and Prof. Zainab Faruqui Ali. The ArchSummit and Build Expo aim to provide a platform for architects, students, industry professionals, and the public to explore architecture, innovation, and the future of the built environment in Bangladesh. Written By Tasmiah Chowdhury
IAB Build Expo, ArchSummit See Vibrant Participation of Architects on Day 2
Day two of the global events of the Institute of Architects Bangladesh (IAB) — the IAB Build Expo 2025 and Bangladesh ArchSummit 2025 — saw vibrant participation from architects, designers, academics, and industry leaders from home and abroad. While the ArchSummit hosted curated seminars and panel discussions for registered participants, addressing key issues within the contemporary architectural landscape, the IAB Build Expo — the country’s largest exhibition of building materials and construction innovations — remained open to all visitors. Held at the Bangladesh-China Friendship Conference Centre (BCFCC) in the capital alongside the expo, IAB launched Bangladesh ArchSummit 2025 under the theme “Crafting Space, Shaping Habitat.” The three-day event, running from December 11 to 13, brought together global and local experts from various fields to engage in dialogue on the future of Asia’s built environment. The ground floor of BCFCC hosted a lively exhibition where leading brands showcased their latest products and innovations, allowing visitors to explore advancements that support stronger, safer, and more sustainable construction. The second floor featured a dedicated ArchSummit seminar hall, with adjacent corridors displaying award-winning architectural projects from Bangladesh, creating a well-curated and dynamic event overall. Architect Rashed Chowdhury, a practising architect and founder of Dehsar Works (DW), opened the second day’s roundtable discussion on the “Poetics of Crafting Spaces” with a fundamental question: “Where is here?” “Our geographical and socio-political context inevitably shapes our responsibilities as designers — influencing how we think about space-making and the materials we choose,” he said. By posing this question, he invited participants to examine how the sense of belonging is defined, whether “here” is determined by political boundaries or by the deeper, more enduring contours of culture and identity. Speaking on materiality, award-winning green architect Rizvi Hassan remarked that it is much like cooking — and that, like any good chef, architects should feel free to use all the ingredients available to them. Shamsul Wares, a trailblazer of contemporary Bangladeshi architecture and an eminent art critic, reflected on how modern architecture’s obsession with efficiency has fallen short, arguing that true value lies in quality and the poetic dimension of space. “Architecture is about designing experience,” he said, highlighting light as both phenomenon and material. Wares urged architects to learn from modernity’s mistakes while considering the body, soul, and society in their work. “All art wants to be poetry. Poetry wants to be music. And music ultimately wants to be spirituality,” he concluded. The event’s guest of honour, Architect Fawad Suhail Abbasi, president of the Institute of Architects, Pakistan (IAP), reflected on how the day’s discussion prompted him to reassess his own practice. With his firm long focusing on brick and sustainable architectural practice, he realised that one cannot overlook the foundational lessons inherited from peers and mentors. He emphasised the importance of finding the mentor within oneself, following that inner direction, and discovering one’s own architectural path, much like the evolving journey of Bangladeshi architects today. After a break for prayer and lunch, a second panel discussion on design, dialogue, and direction in shaping habitat brought together local architects and academics. The discussion highlighted how governments worldwide often overlook the realities of architectural practice — advising against costly materials without recognising that every material has its place when used appropriately. One panellist noted that while academic curricula aligned with the SDGs have expanded, they fail to create responsible citizens who can truly improve the city and country. The day concluded with the IAB Induction Ceremony 2025, welcoming its new fellows and members. Chief Adviser of the Government of Bangladesh, Muhammad Yunus, conveyed his heartfelt congratulations virtually, noting that one of the year’s first significant milestones was the unification of the Architects’ Association of South Asia. With representatives from seven countries coming together, he emphasised that this collaboration would strengthen knowledge exchange, professional cooperation, and a sense of fraternity among architects across the region — particularly as many of their challenges remain shared. Written by Fariha Hossain
IAB Build Expo, ArchSummit See Vibrant Participation of Architects on Day 2
Day two of the global events of the Institute of Architects Bangladesh (IAB) — the IAB Build Expo 2025 and Bangladesh ArchSummit 2025 — saw vibrant participation from architects, designers, academics, and industry leaders from home and abroad. While the ArchSummit hosted curated seminars and panel discussions for registered participants, addressing key issues within the contemporary architectural landscape, the IAB Build Expo — the country’s largest exhibition of building materials and construction innovations — remained open to all visitors. Held at the Bangladesh-China Friendship Conference Centre (BCFCC) in the capital alongside the expo, IAB launched Bangladesh ArchSummit 2025 under the theme “Crafting Space, Shaping Habitat.” The three-day event, running from December 11 to 13, brought together global and local experts from various fields to engage in dialogue on the future of Asia’s built environment. The ground floor of BCFCC hosted a lively exhibition where leading brands showcased their latest products and innovations, allowing visitors to explore advancements that support stronger, safer, and more sustainable construction. The second floor featured a dedicated ArchSummit seminar hall, with adjacent corridors displaying award-winning architectural projects from Bangladesh, creating a well-curated and dynamic event overall. Architect Rashed Chowdhury, a practising architect and founder of Dehsar Works (DW), opened the second day’s roundtable discussion on the “Poetics of Crafting Spaces” with a fundamental question: “Where is here?” “Our geographical and socio-political context inevitably shapes our responsibilities as designers — influencing how we think about space-making and the materials we choose,” he said. By posing this question, he invited participants to examine how the sense of belonging is defined, whether “here” is determined by political boundaries or by the deeper, more enduring contours of culture and identity. Speaking on materiality, award-winning green architect Rizvi Hassan remarked that it is much like cooking — and that, like any good chef, architects should feel free to use all the ingredients available to them. Shamsul Wares, a trailblazer of contemporary Bangladeshi architecture and an eminent art critic, reflected on how modern architecture’s obsession with efficiency has fallen short, arguing that true value lies in quality and the poetic dimension of space. “Architecture is about designing experience,” he said, highlighting light as both phenomenon and material. Wares urged architects to learn from modernity’s mistakes while considering the body, soul, and society in their work. “All art wants to be poetry. Poetry wants to be music. And music ultimately wants to be spirituality,” he concluded. The event’s guest of honour, Architect Fawad Suhail Abbasi, president of the Institute of Architects, Pakistan (IAP), reflected on how the day’s discussion prompted him to reassess his own practice. With his firm long focusing on brick and sustainable architectural practice, he realised that one cannot overlook the foundational lessons inherited from peers and mentors. He emphasised the importance of finding the mentor within oneself, following that inner direction, and discovering one’s own architectural path, much like the evolving journey of Bangladeshi architects today. After a break for prayer and lunch, a second panel discussion on design, dialogue, and direction in shaping habitat brought together local architects and academics. The discussion highlighted how governments worldwide often overlook the realities of architectural practice — advising against costly materials without recognising that every material has its place when used appropriately. One panellist noted that while academic curricula aligned with the SDGs have expanded, they fail to create responsible citizens who can truly improve the city and country. The day concluded with the IAB Induction Ceremony 2025, welcoming its new fellows and members. Chief Adviser of the Government of Bangladesh, Muhammad Yunus, conveyed his heartfelt congratulations virtually, noting that one of the year’s first significant milestones was the unification of the Architects’ Association of South Asia. With representatives from seven countries coming together, he emphasised that this collaboration would strengthen knowledge exchange, professional cooperation, and a sense of fraternity among architects across the region — particularly as many of their challenges remain shared. Written by Fariha Hossain
