Ceramic Expo Bangladesh 2025: From Local Clay to Global Stage
Bangladesh’s ceramic industry has evolved from modest import substitution into a thriving manufacturing hub. More than 70 factories now produce tableware, tiles, sanitary ware, and ceramic bricks that meet global standards. The domestic market is worth Tk 8,000 crore annually, while exports to over 50 countries bring in nearly Tk 500 crore. In the past decade, production capacity and investment have surged 150%, fuelled by rising demand, sharper design, and steady technological upgrades. With cumulative investment topping Tk 18,000 crore and nearly 500,000 jobs created, ceramics have become a cornerstone of the nation’s industrial growth. Ceramic Expo Bangladesh 2025 Amid this momentum, Ceramic Expo Bangladesh 2025 showcased strength and ambition. Organised by the Bangladesh Ceramic Manufacturers and Exporters Association (BCMEA), the fourth edition ran from November 27–30 at the International Convention City Bashundhara, Dhaka. The international exhibition brought together manufacturers, exporters, machinery and raw material suppliers, technology providers, and industry stakeholders. It drew strong local and international participation, hosting 300 exhibitors from more than 25 countries, including Bangladesh, China, India, Italy, Spain, Turkey, UAE, USA, Japan, South Korea, and Vietnam. Registrations topped 28,000, with visitors spanning architects, engineers, dealers, buyers, researchers, students, and officials. How the Expo Unfolded The BCMEA announced the much‑anticipated 2025 edition of the Ceramic Expo at a press conference on November 23 at the Dhaka Reporters Unity. BCMEA President Moynul Islam and Fair Organising Committee Chairman Irfan Uddin outlined key features—500 international delegates, three seminars, a job fair, B2B and B2C meetings, live demonstrations, spot orders, raffle draws, and new product launches. The briefing was attended by Senior Vice Presidents Md Mamunur Rashid FCMA and Abdul Hakim (Sumon), Vice President Rasheed Mymunul Islam, and Director Mohd Ziaul Hoque Zico. Syed Ali Abdullah Jami, director (sales & marketing) of Sheltech Ceramics Ltd., the principal sponsor of this year’s expo, joined the press meet alongside top officials of the three platinum sponsors: Didarul Alam Khan, head of marketing at DBL Ceramics Ltd.; Md Ashraful Haque, general manager (sales) at Akij Ceramics Ltd.; and Shahajada Yasir Arafat Shuvo, manager (brand) of Meghna Ceramic Industries Ltd. On November 27, Commerce Adviser Sk Bashir Uddin inaugurated the fair as the chief guest at a ceremony presided over by the BCMEA president. Partners SL Category Partner Name 1 Hospitality Partner Radisson Blu Water Garden Dhaka Regency 2 Accommodation Partner Amari Dhaka Best Western Plus Runway Crowne Plaza Grace 21 Smart Hotel Holiday Inn Intercontinental Hotel Lake Castle Platinum Grand Platinum Residence Renaissance Dhaka Westin Dhaka Chuti Resort 3 Gift Partner Hotel Lake Castle Grace 21 Best Western Plus Maya Platinum Grand Platinum Residence Dhaka Regency Hotel & Resort Ltd. Holiday Inn Dhaka Chuti Resort 4 International Event Partner Unifair Exhibition Service Co., Ltd. S.A.L.A. srl (ACIMAC) Messe Muenchen India Pvt. Ltd. 5 Knowledge Partner Bangladesh University of Engineering and Technology (BUET) Ceramic ISC 6 Strategic Partner Foshan Uniceramics Expo 7 Food Partner Platinum Grand 8 Official Magazine Partner Ceramic Bangladesh Magazine Asian Ceramics 9 Support Partner Export Promotion Bureau ASEAN Ceramics (Vietnam) TECNA KERAMIKA Ceramics CHINA 10 Media Partner The Business Standard Channel i Banglanews24.com Ceramic Focus Magazine Ceramic India Samakal 11 Young Engagement Partner JCI Bangladesh 12 Technology Partner Betafore 13 Wardrobe Partner FIERO 14 Connectivity Partner Amber IT Ltd. Days Full of Activities Every day of this year’s Ceramic Expo Bangladesh offered something new and innovative for visitors and industry professionals. Fresh B2B and B2C meetings unfolded across the venue, while seminars and discussions addressed pressing issues critical to resolving long‑standing challenges. After the inauguration of the expo, Commerce Adviser Sk Bashir Uddin, BCMEA President and Italian Ambassador to Bangladesh Antonio Alessandro along with top industry leaders toured the pavilions of the Ceramic Expo Bangladesh 2025. ACIMAC’s Project Manager Antonella Tantillo and Commercial Director of SACMI Imola S.C. Fabio Ferrari also visited the stalls. SEMINAR ONE The first seminar on “Energy Efficiency Strategies for Industry in Bangladesh: Challenges and Opportunities”, Engr. Toufiq Rahman, keynote speaker and assistant director of the Sustainable and Renewable Energy Development Authority (SREDA), reported national progress toward a 20% reduction in energy intensity by 2030, with 15% already achieved. Md Mamunur Rashid FCMA, senior vice president of BCMEA and additional managing director of X Ceramics Ltd; SM Monirul Islam, deputy CEO and CFO of IDCOL; and Md Imam Uddin Sheikh, general manager (production & marketing) of Petrobangla, shared their thoughts. Additional insights came from Tanvir Ebne Bashar, unit head of IDCOL, on flexible financing; Matheendra De Zoysa, COO of Omera LPG, on emissions concerns; and Babor Hossain, consultant of Khadim Ceramics. SEMINAR TWO The second seminar, held on the third day of the expo on “Global Market Strategies: Challenges and Opportunities for Ceramic Products”, featured keynote speaker Dr. Aditi Shams, associate professor of International Business at the University of Dhaka, who delivered a data‑driven analysis. Dr. Mohammad Monirul Islam, associate professor at the University of Dhaka; Dr. Amir Ahmed, associate professor and head of Real Estate at Daffodil International University; M. Mamunur Rashid, CEO of Artisan Ceramics Ltd; and Baby Rani Karmakar, director general of the Export Promotion Bureau, also spoke at the event. SEMINAR THREE On the third day of the expo, the most important seminar, “Skills Development for Sustainable Growth in the Ceramics Industry”, chaired by BCMEA President Moynul Islam, also vice chairman of Monno Ceramic Industries Ltd, brought together policymakers, development partners, and industry experts. Hari Pada Das, TVET institutional strengthening expert; Mina Masud Uzzaman, member for coordination and assessment and joint secretary of the National Skills Development Authority (NSDA); ANM Tanjel Ahsan, programme officer at the ILO; Dr. Nazneen Kawshar Chowdhury, executive chairman
Rabiul Hussain in Architectural Narratives
On February 28, 2025 Bangladesh Institute of Architects (IAB) and the Bangladesh Liberation War Museum organized a day-long program to tribute architect Rabiul Hussain through visiting 3 of his projects- Bangladesh Agricultural Research Council (BARC), Jalladkhana Killing Ground and Jahangirnagar University. and taking a vow to protect the diversified works of the architect. Architect Rabiul Hussain (January 31, 1943 – November 26, 2019) was a prominent Bangladeshi architect, poet, art critic, short story writer, essayist, and cultural activist. A person of multifaceted talent, honored by the Government of Bangladesh with the Ekushey Padak for his contributions to language and literature in 2018, received the Bangla Academy Literary Award for his contributions to poetry in 2009, and the Bangladesh Institute of Architects (IAB) awarded him the Gold Medal for his outstanding contribution to architecture in 2016. He served four times as the President of the Bangladesh Institute of Architects, Vice-Chairman of the Architects Regional Council of Asia (ARCASIA), Vice-President of the Commonwealth Association of Architects, and President of the South Asian Association for Regional Cooperation of Architects. In addition, he was a trustee of the Liberation War Museum, an executive member of the 1971 Ghatok Dalal Nirmul Committee (Committee for Elimination of Martyrs’ Assassination), and made significant contributions to the preservation of the memories of the Independent War of Bangladesh. Although he was born in the village of Ratidanga in Shailkupa Upazila, Jhenaidah District, he completed his secondary and higher secondary education in Kushtia District. Later, in 1968, he earned his Bachelor degree in architecture from the then East Pakistan University of Engineering (now Bangladesh University of Engineering and Technology). After obtaining the graduation, he began his professional career as an architect working with architect Mazharul Islam and later joined Shahidullah Associates. Alongside his architectural practice, he also maintained a strong passion for writing. Throughout his career, he served as a life member of the Bangla Academy, and was involved in various organizations, including the Central Kachi-Kachhar Mela (a children’s and youth organization), the National Poetry Council, the Bangabandhu Sheikh Mujibur Rahman Memorial Museum, the International Film Critic Association of Bangladesh, and the Bangladesh Institute of Architects. Notable buildings designed by him include the Jalladkhana(Execution House), the Bangladesh Agricultural Research Council building, the entrance gate of Dhaka University, the Liberation and Independence Arch, the Jahangirnagar University gate, the Bhashani Hall, the Bangabandhu Hall, the Sheikh Hasina Hall, the Khaleda Zia Hall, the Wazed Mia Science Complex, the auditorium and academic building complex of Chittagong University, and alongside architect Mazharul Islam, the Bangladesh Agricultural Research Institute in Gazipur, Haji Mohammad Danesh Science and Technology University in Dinajpur, and polytechnic institutes in Chittagong and Khulna, among others. Bangladesh Agricultural Research Council (BARC) The Bangladesh Agricultural Research Council (BARC) was established in 1973 with the aim of conducting agricultural research and coordinating various related institutions in Bangladesh. Almost a decade after its founding, in 1982, architect Rabiul Hussain designed its current building. The design process, which began in 1978, spanned nearly four years. In a remarkable way, he crafted a unique architectural design using red brick masonry that harmonized with Bangladesh’s climate, nature, and way of life. This building is a symbol of post-independence architecture, reflecting a search for an architectural style; that is free from the burden of colonization in a newly liberated land. Each detail of the building echoes the same vision. The regional architectural influence of Maestro Mazharul Islam, the pioneer of Bangladesh’s regional architecture, is evident in the design, which he was fortunate to experience starting from his third year of architectural education. The building, located on a site shaped like the letter ‘L’ in the English alphabet, is easily noticeable among surrounding roads and structures. It stands at the junction of Airport Road and Khamar Bari Road, near Farmgate and Bijoy Sarani. The design symbolizes various aspects of aesthetic gravity, marking an early effort in the evolution of post-independence Bangladeshi architecture and the search for a Bengali “identity” in the country’s-built environment. The location of the building, near the capital’s main international airport at Tejgaon, limited the building’s height to four floors. The rectangular building, measuring 223 feet in length and 63 feet in width, has a total built-up area of 32,700 square feet. It is aligned along the east-west axis and is equipped with optimal provisions for cross-ventilation and prevailing south winds. The three-story building is vertically divided into three functional zones. The first floor is allocated for administrative offices; the second floor houses the executive branch. The third floor features a 7,500-square-foot conference room with seating for 280 people at its center, along with a 1,350-square-foot library and a meeting room. The first and second floors are organized along a double-loaded corridor, with two staircases at the eastern and western ends of the building. In harmony with local traditions, the roof was projected to protect the building from torrential rain and scorching sun. The BARC building essentially consists of two parts: one is the brick-clad inner shell that spans the main area, while the additional levels moderate the harsh tropical sun and protect the building during the monsoon season. Architect Mazharul Islam’s office- Vastukalabid was a key influence in experimenting with such a critical combination of climate consideration and modernist aesthetics along with that of brick mason for architect Rabiul Hussain and many young architects in the early 1970s. To give an example, his designs, including the National Institute of Public Administration (1964), encouraged a generation of architects to explore “critical regionalism” through a lens that considered climatic aspects in the visual language of architecture. Since stone is rare and fired bricks can be produced in abundance from local clay, architects saw bricks as an unprecedented symbolic representation of the delta and its culture. Representing the soil of the riverine country, bricks were the purest or most organic building material believed by the Bangladeshi architects. The “poetry” of bricks is hard to miss in the concept and construction of the BARC headquarters building. Also, the influence of