Ceramic Expo Bangladesh 2025: From Local Clay to Global Stage
Bangladesh’s ceramic industry has evolved from modest import substitution into a thriving manufacturing hub. More than 70 factories now produce tableware, tiles, sanitary ware, and ceramic bricks that meet global standards. The domestic market is worth Tk 8,000 crore annually, while exports to over 50 countries bring in nearly Tk 500 crore. In the past decade, production capacity and investment have surged 150%, fuelled by rising demand, sharper design, and steady technological upgrades. With cumulative investment topping Tk 18,000 crore and nearly 500,000 jobs created, ceramics have become a cornerstone of the nation’s industrial growth. Ceramic Expo Bangladesh 2025 Amid this momentum, Ceramic Expo Bangladesh 2025 showcased strength and ambition. Organised by the Bangladesh Ceramic Manufacturers and Exporters Association (BCMEA), the fourth edition ran from November 27–30 at the International Convention City Bashundhara, Dhaka. The international exhibition brought together manufacturers, exporters, machinery and raw material suppliers, technology providers, and industry stakeholders. It drew strong local and international participation, hosting 300 exhibitors from more than 25 countries, including Bangladesh, China, India, Italy, Spain, Turkey, UAE, USA, Japan, South Korea, and Vietnam. Registrations topped 28,000, with visitors spanning architects, engineers, dealers, buyers, researchers, students, and officials. How the Expo Unfolded The BCMEA announced the much‑anticipated 2025 edition of the Ceramic Expo at a press conference on November 23 at the Dhaka Reporters Unity. BCMEA President Moynul Islam and Fair Organising Committee Chairman Irfan Uddin outlined key features—500 international delegates, three seminars, a job fair, B2B and B2C meetings, live demonstrations, spot orders, raffle draws, and new product launches. The briefing was attended by Senior Vice Presidents Md Mamunur Rashid FCMA and Abdul Hakim (Sumon), Vice President Rasheed Mymunul Islam, and Director Mohd Ziaul Hoque Zico. Syed Ali Abdullah Jami, director (sales & marketing) of Sheltech Ceramics Ltd., the principal sponsor of this year’s expo, joined the press meet alongside top officials of the three platinum sponsors: Didarul Alam Khan, head of marketing at DBL Ceramics Ltd.; Md Ashraful Haque, general manager (sales) at Akij Ceramics Ltd.; and Shahajada Yasir Arafat Shuvo, manager (brand) of Meghna Ceramic Industries Ltd. On November 27, Commerce Adviser Sk Bashir Uddin inaugurated the fair as the chief guest at a ceremony presided over by the BCMEA president. Partners SL Category Partner Name 1 Hospitality Partner Radisson Blu Water Garden Dhaka Regency 2 Accommodation Partner Amari Dhaka Best Western Plus Runway Crowne Plaza Grace 21 Smart Hotel Holiday Inn Intercontinental Hotel Lake Castle Platinum Grand Platinum Residence Renaissance Dhaka Westin Dhaka Chuti Resort 3 Gift Partner Hotel Lake Castle Grace 21 Best Western Plus Maya Platinum Grand Platinum Residence Dhaka Regency Hotel & Resort Ltd. Holiday Inn Dhaka Chuti Resort 4 International Event Partner Unifair Exhibition Service Co., Ltd. S.A.L.A. srl (ACIMAC) Messe Muenchen India Pvt. Ltd. 5 Knowledge Partner Bangladesh University of Engineering and Technology (BUET) Ceramic ISC 6 Strategic Partner Foshan Uniceramics Expo 7 Food Partner Platinum Grand 8 Official Magazine Partner Ceramic Bangladesh Magazine Asian Ceramics 9 Support Partner Export Promotion Bureau ASEAN Ceramics (Vietnam) TECNA KERAMIKA Ceramics CHINA 10 Media Partner The Business Standard Channel i Banglanews24.com Ceramic Focus Magazine Ceramic India Samakal 11 Young Engagement Partner JCI Bangladesh 12 Technology Partner Betafore 13 Wardrobe Partner FIERO 14 Connectivity Partner Amber IT Ltd. Days Full of Activities Every day of this year’s Ceramic Expo Bangladesh offered something new and innovative for visitors and industry professionals. Fresh B2B and B2C meetings unfolded across the venue, while seminars and discussions addressed pressing issues critical to resolving long‑standing challenges. After the inauguration of the expo, Commerce Adviser Sk Bashir Uddin, BCMEA President and Italian Ambassador to Bangladesh Antonio Alessandro along with top industry leaders toured the pavilions of the Ceramic Expo Bangladesh 2025. ACIMAC’s Project Manager Antonella Tantillo and Commercial Director of SACMI Imola S.C. Fabio Ferrari also visited the stalls. SEMINAR ONE The first seminar on “Energy Efficiency Strategies for Industry in Bangladesh: Challenges and Opportunities”, Engr. Toufiq Rahman, keynote speaker and assistant director of the Sustainable and Renewable Energy Development Authority (SREDA), reported national progress toward a 20% reduction in energy intensity by 2030, with 15% already achieved. Md Mamunur Rashid FCMA, senior vice president of BCMEA and additional managing director of X Ceramics Ltd; SM Monirul Islam, deputy CEO and CFO of IDCOL; and Md Imam Uddin Sheikh, general manager (production & marketing) of Petrobangla, shared their thoughts. Additional insights came from Tanvir Ebne Bashar, unit head of IDCOL, on flexible financing; Matheendra De Zoysa, COO of Omera LPG, on emissions concerns; and Babor Hossain, consultant of Khadim Ceramics. SEMINAR TWO The second seminar, held on the third day of the expo on “Global Market Strategies: Challenges and Opportunities for Ceramic Products”, featured keynote speaker Dr. Aditi Shams, associate professor of International Business at the University of Dhaka, who delivered a data‑driven analysis. Dr. Mohammad Monirul Islam, associate professor at the University of Dhaka; Dr. Amir Ahmed, associate professor and head of Real Estate at Daffodil International University; M. Mamunur Rashid, CEO of Artisan Ceramics Ltd; and Baby Rani Karmakar, director general of the Export Promotion Bureau, also spoke at the event. SEMINAR THREE On the third day of the expo, the most important seminar, “Skills Development for Sustainable Growth in the Ceramics Industry”, chaired by BCMEA President Moynul Islam, also vice chairman of Monno Ceramic Industries Ltd, brought together policymakers, development partners, and industry experts. Hari Pada Das, TVET institutional strengthening expert; Mina Masud Uzzaman, member for coordination and assessment and joint secretary of the National Skills Development Authority (NSDA); ANM Tanjel Ahsan, programme officer at the ILO; Dr. Nazneen Kawshar Chowdhury, executive chairman
An Artist’s Meditative Take on the Textile Crisis
On 10th October, Bengal Shilpalay’s Quamrul Hassan Hall made room for Yasmin Jahan Nupur’s solo exhibition to breathe in silence. Silence that carries the weight of unspoken resistance, forged over decades. Each corner is equipped with different kinds of soft sculptures and artworks, woven and drawn with bare hands. These sculptures will urge you to zoom in, squint, and at times, resist touching and feeling their texture. The space is surrounded by a variety of installations, including tapestry, jamdani woven in a grid-like matrix, a golden net made of zari threads, Bangla phrases stitched in muslin fabric, and hand-drawn textures and patterns. The sculptures, made from gentle materials like thread and wool, celebrate their natural malleability and softness. Her meticulously executed works on paper using only pen and watercolor draw viewers into their quiet depths. In contrast, Nupur’s brass sculptures defy expectation, transforming rigid metal into forms that appear almost supple. As one takes a closer look, they can find the artist’s sheer brilliance of witty and powerful juxtaposition of delicate threads and robust objects. One of the guests at the opening, globally famous architect Marina Tabassum, who won Aga Khan Award twice, reflected on the powerful presence of silence—describing it as an equally vital element in architecture, a space everyone strives to reach, yet few truly achieve in the process of creation. She observed that Nupur’s works embody that very quality, carrying a quiet strength despite being crafted from simple materials like strand and wool. The softness of Nupur’s sculptures and the intricacies of her work, in fact, carry a more concrete and unsettling truth—illuminating the fading textile legacy of Bengal. Behind these delicate forms lie the stories of countless artisans unable to continue their craft, disrupted not only by economic pressures but also by colonial legacies and ecological changes. A powerful installation in the exhibition was a dazzling hanging burqa. While the traditional burqa symbolizes modesty and concealment, Nupur reimagined it as a three-dimensional form embroidered with gold and silver zari threads—not as a symbol of elegance, but as a testament to distressed endurance. Nupur’s professor, Abul Monsur, recalls how her gentle demeanor during her time at the Fine Arts Institute, CU, fooled him into perceiving her as rather fragile. Her quiet resilience and unwavering devotion to her craft beneath that delicate surface only proved him wrong over time. Yasmin Jahan Nupur not only hails a heavy portfolio of glorious works but also became a household name in the international galleries. This second solo exhibition is Nupur’s careful documentation and a commitment to preserving the vanishing heritage of Bangladesh’s textiles. As visitors walk through the gallery, they are compelled to stop, gaze, and ultimately begin to unravel the silences behind each piece. “Even though the voice may be muted or just a soft whisper (mridu shor), the visitors must take the time to truly listen,” quotes curator Tanzim Wahab. “Unravelling Silence” is on view until November 22, every day from 4 to 8 PM, except Sundays, at Bengal Shilpalay. Written by- Fariha Hossain