Energy Crisis Pushes Ceramic Industry to the Brink
Bangladesh’s ceramic industry is facing one of its toughest periods in decades, as soaring gas prices and unstable energy supply strain production and profitability. Between 2015 and 2023, gas prices in the manufacturing sector surged by about 345 percent, including a 150 percent hike in 2023 alone. This escalation has raised production costs by 18-20 percent, since gas serves as both a key energy source and raw material. Yet, producers cannot freely increase prices due to competition from
MADE IN BANGLADESH: Homegrown Champions of Change
Bangladesh’s meteoric rise in the global garment industry has long been admired, and now a deeper transformation is underway — one that reflects diversification, resilience, and ambition. Amid global supply chain realignments and rising manufacturing costs in East Asia, Bangladesh has emerged as one of the world’s most export-ready economies. But beyond the looms and threads, “Made in Bangladesh” businesses are stepping into the spotlight — from green technology and agribusiness to pharmaceuticals and consumer goods.
Architect Marina Tabassum A Rare Brilliance
Architect Marina Tabassum has carved a luminous path that transcends architecture and redefined design as a language of place—rooted in climate, culture, and community. Her Bait Ur Rouf Mosque, completed in 2012, became a global milestone when it earned the Aga Khan Award for Architecture in 2016. In 2025, she achieved the rare distinction of winning the Aga Khan Award again, this time for Khudi Bari. Her brilliance extends far beyond these awards. Tabassum has designed the Museum of
IAB Build Expo, ArchSummit See Vibrant Participation of Architects on Day 2
Day two of the global events of the Institute of Architects Bangladesh (IAB) — the IAB Build Expo 2025 and Bangladesh ArchSummit 2025 — saw vibrant participation from architects, designers, academics, and industry leaders from home and abroad. While the ArchSummit hosted curated seminars and panel discussions for registered participants, addressing key issues within the contemporary architectural landscape, the IAB Build Expo — the country’s largest exhibition of building materials and construction innovations — remained open to all visitors. Held at the Bangladesh-China Friendship Conference Centre (BCFCC) in the capital alongside the expo, IAB launched Bangladesh ArchSummit 2025 under the theme “Crafting Space, Shaping Habitat.” The three-day event, running from December 11 to 13, brought together global and local experts from various fields to engage in dialogue on the future of Asia’s built environment. The ground floor of BCFCC hosted a lively exhibition where leading brands showcased their latest products and innovations, allowing visitors to explore advancements that support stronger, safer, and more sustainable construction. The second floor featured a dedicated ArchSummit seminar hall, with adjacent corridors displaying award-winning architectural projects from Bangladesh, creating a well-curated and dynamic event overall. Architect Rashed Chowdhury, a practising architect and founder of Dehsar Works (DW), opened the second day’s roundtable discussion on the “Poetics of Crafting Spaces” with a fundamental question: “Where is here?” “Our geographical and socio-political context inevitably shapes our responsibilities as designers — influencing how we think about space-making and the materials we choose,” he said. By posing this question, he invited participants to examine how the sense of belonging is defined, whether “here” is determined by political boundaries or by the deeper, more enduring contours of culture and identity. Speaking on materiality, award-winning green architect Rizvi Hassan remarked that it is much like cooking — and that, like any good chef, architects should feel free to use all the ingredients available to them. Shamsul Wares, a trailblazer of contemporary Bangladeshi architecture and an eminent art critic, reflected on how modern architecture’s obsession with efficiency has fallen short, arguing that true value lies in quality and the poetic dimension of space. “Architecture is about designing experience,” he said, highlighting light as both phenomenon and material. Wares urged architects to learn from modernity’s mistakes while considering the body, soul, and society in their work. “All art wants to be poetry. Poetry wants to be music. And music ultimately wants to be spirituality,” he concluded. The event’s guest of honour, Architect Fawad Suhail Abbasi, president of the Institute of Architects, Pakistan (IAP), reflected on how the day’s discussion prompted him to reassess his own practice. With his firm long focusing on brick and sustainable architectural practice, he realised that one cannot overlook the foundational lessons inherited from peers and mentors. He emphasised the importance of finding the mentor within oneself, following that inner direction, and discovering one’s own architectural path, much like the evolving journey of Bangladeshi architects today. After a break for prayer and lunch, a second panel discussion on design, dialogue, and direction in shaping habitat brought together local architects and academics. The discussion highlighted how governments worldwide often overlook the realities of architectural practice — advising against costly materials without recognising that every material has its place when used appropriately. One panellist noted that while academic curricula aligned with the SDGs have expanded, they fail to create responsible citizens who can truly improve the city and country. The day concluded with the IAB Induction Ceremony 2025, welcoming its new fellows and members. Chief Adviser of the Government of Bangladesh, Muhammad Yunus, conveyed his heartfelt congratulations virtually, noting that one of the year’s first significant milestones was the unification of the Architects’ Association of South Asia. With representatives from seven countries coming together, he emphasised that this collaboration would strengthen knowledge exchange, professional cooperation, and a sense of fraternity among architects across the region — particularly as many of their challenges remain shared. Written by Fariha Hossain
MADE IN BANGLADESH: Homegrown Champions of Change
Bangladesh’s meteoric rise in the global garment industry has long been admired, and now a deeper transformation is underway — one that reflects diversification, resilience, and ambition. Amid global supply chain realignments and rising manufacturing costs in East Asia, Bangladesh has emerged as one of the world’s most export-ready economies. But beyond the looms and threads, “Made in Bangladesh” businesses are stepping into the spotlight — from green technology and agribusiness to pharmaceuticals and consumer goods. It’s time the world pays closer attention to the homegrown brands proudly carrying the “Made in Bangladesh” label. The list is far from exhaustive, as Bangladesh is home to many more brands that deserve global recognition. In this special feature, we bring into focus five companies and visionaries who have not only grown with the country but have also redefined what it means to be a “Made in Bangladesh” business. From expanding beyond borders to competing with international players, their journeys reflect the spirit of a nation that refuses to be boxed in. A common thread binds them all — a relentless desire to rise despite the odds. To begin the story, there is none other than Anis Ud Dowla, the visionary chairman of ACI Group. A pioneer in every sense, Dowla represents the kind of leadership that has helped redefine the possibilities of Bangladeshi enterprise. Next comes Hossain Khaled, Chairman of City Bank. This visionary banker played a crucial role in transforming a struggling bank with weak financials into one of the top lenders in the country. From the travel and tourism field, Sadia Haque — co-founder and CEO of ShareTrip — steals the spotlight with her innovations in the sector. The full-stack travel solutions her firm offers have brought about a massive change in the tourism landscape of Bangladesh. No story on Bangladesh would be complete without mentioning Ahsan Khan Chowdhury, chairman and CEO of Pran-RFL Group — a perfect example of how a legacy can be nurtured and turned into an empire. And last but not least, Walton Hi-Tech Industries PLC — the first Bangladesh-origin company to ship electrical and electronic appliances to international markets — stands as a testament to the nation’s growing industrial prowess. Let’s explore the trailblazers behind the “Made in Bangladesh” renaissance. A Beacon of Principled Leadership In Bangladesh’s corporate history, few names command as much respect as M. Anis Ud Dowla. At a time when business and politics often converge, Dowla has carved a distinct path—one rooted in ethics, innovation, and an unwavering commitment to national progress. His career began not in boardrooms but in the field, as a young executive with British Oxygen. Over nearly three decades, he rose through the ranks, managing operations across Pakistan, Kenya, and Bangladesh. That global exposure laid the foundation for a leadership style defined by experimentation and efficiency. The defining moment came in 1992, when Imperial Chemical Industries (ICI) offered him a chance to take over its Bangladesh operations. The deal was unconventional: a “pay-as-you-earn” arrangement that required no upfront capital. Dowla accepted, and Advanced Chemical Industries (ACI) was born. “The beginning was challenging, but I made sure that no matter what, I would remain fair to my workers,” Dowla said. “I assured them that they would receive a fair share of the benefits for the efforts they were putting in. It was a 60:40 profit-sharing arrangement between the investors and workers. And it paid off.” From modest beginnings with just 352 employees, ACI has grown into one of the country’s largest conglomerates, now employing over 30,000 people across 29 subsidiaries. Its portfolio spans pharmaceuticals, consumer goods, agribusiness, and logistics. Under Dowla’s leadership, ACI became the first Bangladeshi company to earn ISO 9001 certification, setting a benchmark for quality and transparency. “I wanted to have a guardian who would ensure that there was no compromise in quality. The ISO certificate did that for me. They used to visit ACI, conduct audits, and help me produce quality products every time.” “I went for the certificate to fulfil my dream of remaining true to our customers and never deceiving anyone in any way.” Despite his success, Dowla remains grounded. His philosophy centres on values—quality, fairness, customer focus, and continuous improvement. These principles, he insists, are not slogans but lived realities within the company. Dowla’s views on politics are equally clear-cut. He believes that mixing business with political ambition undermines merit and compromises governance. “I strongly believe entrepreneurs should not enter politics, and politicians should not be entrepreneurs.” For Dowla, politics is a service, not a career path for entrepreneurs. At ACI, employees are treated as family. The ACI chairman sees leadership as a process of unlocking human potential. To young entrepreneurs, his advice is simple yet profound: pursue what you love, embrace failure as a lesson, and never settle for shortcuts. Even in his late eighties, Dowla remains active, drawing energy from ideas rather than rest. In an era of blurred boundaries and shifting values, Anis Ud Dowla stands as a beacon of principled leadership—an icon admired not just for what he built, but for how he built it. From Startup to Market Leader When Sadia Haque set out to build a travel platform, her vision was rooted in something deeper than bookings and itineraries. “We wanted a travel tech platform where everything would be shared,” said the ShareTrip CEO and Co-Founder. “Sharing of adventure, sharing of experience, sharing of laughter, and sharing of joy. And from that perspective, the name came as ShareTrip.” That philosophy of connection would go on to shape one of Bangladesh’s most successful digital ventures. Drawing on her background in telecoms, media, and technology, Haque channelled over a decade of corporate experience into a startup that would soon redefine how the country travels.
Architect Marina Tabassum A Rare Brilliance
Architect Marina Tabassum has carved a luminous path that transcends architecture and redefined design as a language of place—rooted in climate, culture, and community. Her Bait Ur Rouf Mosque, completed in 2012, became a global milestone when it earned the Aga Khan Award for Architecture in 2016. In 2025, she achieved the rare distinction of winning the Aga Khan Award again, this time for Khudi Bari. Her brilliance extends far beyond these awards. Tabassum has designed the Museum of Independence, Panigram Eco Resort, Hamidur Rahman Memorial Complex, and Comfort Reverie, each reflecting her mastery of rhythm, sustainability, and memory. Internationally, she was commissioned to design the Serpentine Pavilion in London. Marina studied architecture at the Bangladesh University of Engineering and Technology (BUET) and founded her own firm, Marina Tabassum Architects (MTA), in 2005. She has taught at renowned institutions worldwide: Professor at the Technical University of Delft (2022–23), Gerald Sheff Visiting Chair at the University of Toronto, and lecturer at the Harvard Graduate School of Design, University of Texas, Bengal Institute, and BRAC University. Her work has earned numerous international accolades, including an honorary doctorate from the Technical University of Munich, the Arnold Brunner Memorial Prize from the American Academy of Arts and Letters, the Gold Medal from the French Academy of Architecture, and the Soane Medal in Architecture from the United Kingdom. She chairs FACE (Foundation for Architecture and Community Equity) and Prakriti, a fair‑trade organization, and is a fellow of the Royal Society of Arts. Between 2017 and 2022, she served on the Steering Committee of the Aga Khan Award for Architecture. Her accolades span continents: TIME 100 (2024), Chevalier of Arts and Letters (2023), UIA Vassilis Sgoutas Prize (2023), Jameel Prize (2018), and Prospect’s Top Ten Thinkers (2020). Bait Ur Rouf Mosque In the northern edge of Dhaka, beside the Turag Canal, the Bait Ur Rouf Mosque rises as a beacon of simplicity, spirituality, and environmental consciousness. Designed by Marina Tabassum in 2006, the project was deeply personal—commissioned by her grandmother, who donated the land. The mosque rejects ornamentation, instead embracing perforated brickwork that allows natural light and ventilation to animate the prayer hall. This environmentally friendly approach is rare in Bangladesh, where mosques often rely on artificial cooling and lighting. Here, light itself becomes the architecture—shifting with the hours of prayer, creating atmospheres of contemplation and serenity. Tabassum’s design responds to both urban transformation and community needs. As Dhaka’s sprawl consumed open spaces, she envisioned the mosque as more than a place of worship: a plinth and gathering space for dialogue, reflection, and social interaction. Rooted in Islamic tradition, where mosques historically served multiple civic functions, the building reclaims that identity for modern times. The prayer hall, rotated to align with the qibla, is supported by eight columns and wrapped in load‑bearing brickwork, balancing cost efficiency with timeless strength. Awarded the Aga Khan Award for Architecture in 2016, Bait Ur Rouf Mosque stands as a model of climate‑responsive, community‑driven design—an enduring testament to the power of light, space, and faith. Khudi Bari In Bangladesh’s fragile deltaic landscape, where rivers shift and floods displace thousands, Marina Tabassum envisioned Khudi Bari—a self‑initiated experiment that has grown into a global model of resilience. Meaning “small house,” the lightweight, modular shelter is built from bamboo and corrugated metal, designed to be assembled quickly, relocated easily, and withstand the pressures of a volatile climate. What began as a modest idea has transformed lives across chars, floodplains, and refugee camps. Families who once lost everything to river erosion now remain together during disasters, a safeguard against child marriage and trafficking. In Rangpur, when surrounding homes collapsed in a storm, Khudi Bari units stood firm. The design’s impact extends beyond Bangladesh. The Vitra Design Museum in Germany acquired a Khudi Bari for its permanent collection, while the World Food Programme commissioned Tabassum to adapt the system for Rohingya refugee camps in Cox’s Bazar. There, Khudi Bari evolved into women‑friendly community centres, food distribution outlets, and “Shantikhana” or Houses of Peace—spaces for education, livelihood, and healing. Awarded the Aga Khan Award for Architecture in 2025, Khudi Bari is more than shelter. It is architecture as empathy—an elegant, low‑cost structure that restores dignity, strengthens communities, and redefines how design can serve humanity. To honour the brilliance and achievements of Architect Marina Tabassum, Ceramic Bangladesh Magazine, a publication of the Bangladesh Ceramic Manufacturers and Exporters Association (BCMEA), in partnership with ArchiConnect—the first and largest digital platform for architects and professionals in the construction industry in Bangladesh—organised a grand event at the Renaissance Dhaka Gulshan Hotel on November 8. Architect Moushumi Ahmed moderated the beautifully crafted night, attended by the country’s leading architects, real estate and construction industry leaders, and media personnel. In his opening remarks, Architect Jalal Ahmed, FIAAB, KIA, founder and CEO of ArchiConnect, said: “Winning the Aga Khan Award for Architecture—often referred to as the ‘Oscar of architecture’—was no accident. It is the result of her deep thinking, clarity of perspective, and unwavering ethical commitment.” PANEL DISCUSSION The grand event had a panel discussion featuring the country’s top architectural minds. Architect Mahmudul Anwar Riyaad, principal designer and director of DWM4 Architects, moderated the session, opening with the question of how the Aga Khan Awards had affected architects during the 1980s. Architect Fuad Hassan Mallick, professor and dean of the School of Architecture and Design at BRAC University, recalled the surprise of the first award cycle: “I personally felt that architecture’s spectrum is much larger than what we understood—and also it seemed relevant for our country. This sort of thing ended up being number one for many of us. After that, when Mimar magazine appeared, we understood architecture is not only Western, American, and Europe‑centric. Something is there in our region also.” Architect Nahas Ahmed Khalil, principal designer of ARC Architectural Consultants, praised the honesty in Marina’s design
IAB Build Expo, ArchSummit See Vibrant Participation of Architects on Day 2
Day two of the global events of the Institute of Architects Bangladesh (IAB) — the IAB Build Expo 2025 and Bangladesh ArchSummit 2025 — saw vibrant participation from architects, designers, academics, and industry leaders from home and abroad. While the ArchSummit hosted curated seminars and panel discussions for registered participants, addressing key issues within the contemporary architectural landscape, the IAB Build Expo — the country’s largest exhibition of building materials and construction innovations — remained open to all visitors. Held at the Bangladesh-China Friendship Conference Centre (BCFCC) in the capital alongside the expo, IAB launched Bangladesh ArchSummit 2025 under the theme “Crafting Space, Shaping Habitat.” The three-day event, running from December 11 to 13, brought together global and local experts from various fields to engage in dialogue on the future of Asia’s built environment. The ground floor of BCFCC hosted a lively exhibition where leading brands showcased their latest products and innovations, allowing visitors to explore advancements that support stronger, safer, and more sustainable construction. The second floor featured a dedicated ArchSummit seminar hall, with adjacent corridors displaying award-winning architectural projects from Bangladesh, creating a well-curated and dynamic event overall. Architect Rashed Chowdhury, a practising architect and founder of Dehsar Works (DW), opened the second day’s roundtable discussion on the “Poetics of Crafting Spaces” with a fundamental question: “Where is here?” “Our geographical and socio-political context inevitably shapes our responsibilities as designers — influencing how we think about space-making and the materials we choose,” he said. By posing this question, he invited participants to examine how the sense of belonging is defined, whether “here” is determined by political boundaries or by the deeper, more enduring contours of culture and identity. Speaking on materiality, award-winning green architect Rizvi Hassan remarked that it is much like cooking — and that, like any good chef, architects should feel free to use all the ingredients available to them. Shamsul Wares, a trailblazer of contemporary Bangladeshi architecture and an eminent art critic, reflected on how modern architecture’s obsession with efficiency has fallen short, arguing that true value lies in quality and the poetic dimension of space. “Architecture is about designing experience,” he said, highlighting light as both phenomenon and material. Wares urged architects to learn from modernity’s mistakes while considering the body, soul, and society in their work. “All art wants to be poetry. Poetry wants to be music. And music ultimately wants to be spirituality,” he concluded. The event’s guest of honour, Architect Fawad Suhail Abbasi, president of the Institute of Architects, Pakistan (IAP), reflected on how the day’s discussion prompted him to reassess his own practice. With his firm long focusing on brick and sustainable architectural practice, he realised that one cannot overlook the foundational lessons inherited from peers and mentors. He emphasised the importance of finding the mentor within oneself, following that inner direction, and discovering one’s own architectural path, much like the evolving journey of Bangladeshi architects today. After a break for prayer and lunch, a second panel discussion on design, dialogue, and direction in shaping habitat brought together local architects and academics. The discussion highlighted how governments worldwide often overlook the realities of architectural practice — advising against costly materials without recognising that every material has its place when used appropriately. One panellist noted that while academic curricula aligned with the SDGs have expanded, they fail to create responsible citizens who can truly improve the city and country. The day concluded with the IAB Induction Ceremony 2025, welcoming its new fellows and members. Chief Adviser of the Government of Bangladesh, Muhammad Yunus, conveyed his heartfelt congratulations virtually, noting that one of the year’s first significant milestones was the unification of the Architects’ Association of South Asia. With representatives from seven countries coming together, he emphasised that this collaboration would strengthen knowledge exchange, professional cooperation, and a sense of fraternity among architects across the region — particularly as many of their challenges remain shared. Written by Fariha Hossain
Welcome to the World of Ceramics
Once a quiet corner of the industrial map, Bangladesh’s ceramic sector has sculpted its way into the spotlight. Over the past decade, the industry has witnessed an extraordinary 150 percent surge in both production and investment, transforming it from a modest manufacturing niche into a vibrant engine of growth. It’s a milestone that marks the rise of a sector now central to the country’s architectural identity. That journey now enters a new chapter with the return of Ceramic Expo Bangladesh 2025, the flagship event of the Bangladesh Ceramic Manufacturers and Exporters Association (BCMEA). From November 27 to 30, the International Convention City Bashundhara (ICCB) in Dhaka will transform its Pushpanjali – Hall 5 into a showcase of ceramic excellence—bringing together over 136 exhibitors, 300 brands, and more than 25,000 visitors under one roof, with the support of the Export Promotion Bureau (EPB), Techna, ASEAN Ceramics, Keramika Indonesia, and Ceramic China. Now in its fourth edition, the expo has grown into one of South Asia’s most influential B2B platforms, drawing over 500 foreign delegates and participants from 25 countries. “This is Bangladesh’s only international exhibition dedicated to ceramics,” said Irfan Uddin, general secretary of BCMEA and chairman of Ceramic Expo Bangladesh. “With 31 local manufacturers and 105 global exhibitors, the expo creates unmatched opportunities for partnership, investment, and growth.” From raw materials to robotics, from sustainable kilns to smart design, the expo promises a panoramic view of what’s next in ceramic innovation. GLOBAL AND LOCAL EXHIBITORS The 2025 edition of the ceramic expo has a long list of local and foreign exhibitors. Every local ceramic company will join the show, along with international participants—most of which are raw material, machinery, or tech suppliers. Every participant of the expo has high hopes for Bangladesh’s ceramic industry. Kutubuddin Ahmed, chairman of Sheltech Ceramics Ltd, said the ceramic industry in Bangladesh is entering a new era driven by talent, quality, and a growing domestic market. “Ceramic Expo Bangladesh 2025 is the perfect platform to experience this progress.” Leading Chinese company Foshan HLT & DLT Technology Co. Ltd also believes ceramics have every potential to be the next big export earner for Bangladesh, said Marco Guan, deputy managing director of HLT & DLT and chairman of DLT, a supplier of engineering design, machinery, and technical know-how. Sacmi Imola S.C. (SALA), a global ceramic technology leader, sees Bangladesh’s strong entrepreneurial spirit and technical expertise as key to becoming a global hub. Despite challenges like energy costs, infrastructure gaps, and banking inefficiencies, local ceramic companies show resilience, long-term vision, and a focus on quality over price wars, the company said. SPONSORS Leading local ceramic company Sheltech Ceramics Ltd is the principal sponsor of this year’s Ceramic Expo, while there are three platinum sponsors: DBL Ceramics Ltd, Akij Ceramics Ltd, and Meghna Ceramic Ind. Ltd. The 2025 edition has four gold sponsors: Mir Ceramic Ind. Ltd and Abul Khair Ceramic Ind. Ltd from the local market, and Sacmi Imola S.C. (SALA) and Foshan HLT & DLT Technology Co., Ltd. from the foreign market. FOUR DAYS OF CERAMIC ACTIVITY “At Ceramic Expo Bangladesh 2025, local technicians will directly engage with global exhibitors to find real-time solutions,” said Moynul Islam, president of BCMEA. “It’s the world’s only trade fair uniting both Chinese and European ceramic giants under one roof.” Dealers’ Night One of the standout moments at Ceramic Expo Bangladesh 2025 will be the Dealers’ Night, a grand gathering designed to celebrate the people who carry the industry’s story to every corner of the country. More than just a networking event, Dealers’ Night will serve as a recognition of the sales leaders, distributors, and retail partners who bridge the gap between manufacturers and consumers. The evening will bring together over 200 dealers, sales professionals, and more than 20 industry leaders from across Bangladesh, creating a vibrant forum for exchange, collaboration, and celebration. It is here that the industry’s “deal-breakers” will share experiences, discuss market trends, and explore strategies to expand the reach of Bangladeshi ceramics both locally and globally. The BCMEA is organising the event with a clear vision: to honour the dealers and salespersons as the torchbearers of the ceramic industry. Their role is not limited to transactions; they are the storytellers who translate innovation into demand, and the ambassadors who ensure that Bangladesh-made ceramics find their way into homes, offices, and institutions. Seminars Every day at Ceramic Expo Bangladesh 2025 won’t just be about booths and business cards—it’ll be buzzing with ideas. Alongside the packed exhibition halls, multiple seminars will dive into the real issues shaping the future of Bangladesh’s ceramic industry. With over 70 manufacturers investing nearly $2 billion and more than 60,000 people directly involved, these conversations matter. From energy costs to export hurdles, topics that often go unheard will finally take center stage—thanks to open discussions between industry leaders, policymakers, and professionals. The seminars are: Energy Efficiency Strategies for Industry in Bangladesh: Challenges and Opportunities This seminar will explore how Bangladesh’s ceramic industry can adopt renewable energy, improve efficiency, and reduce costs. Experts will highlight practical solutions, policy frameworks, and global best practices to ensure sustainable growth amid rising energy challenges. Skills Development for Sustainable Growth in Industry Focused on workforce transformation, this session will examine training, technical education, and innovation-driven skill sets. Industry leaders and policymakers will discuss how nurturing talent can strengthen competitiveness, empower youth, and secure long-term sustainability for Bangladesh’s ceramic sector. Global Market Strategies: Challenges and Opportunities for Ceramic Products This seminar will analyze export diversification, branding, and competitiveness in international markets. Discussions will address trade barriers, logistics, and evolving consumer preferences, while showcasing strategies to position Bangladeshi ceramics as a global leader in quality and innovation. B2B / B2C Meetings The fair will offer ample space for B2B and B2C meetings, enabling local and global
Welcome to the World of Ceramics
Once a quiet corner of the industrial map, Bangladesh’s ceramic sector has sculpted its way into the spotlight. Over the past decade, the industry has witnessed an extraordinary 150 percent surge in both production and investment, transforming it from a modest manufacturing niche into a vibrant engine of growth. It’s a milestone that marks the rise of a sector now central to the country’s architectural identity. That journey now enters a new chapter with the return of Ceramic Expo Bangladesh 2025, the flagship event of the Bangladesh Ceramic Manufacturers and Exporters Association (BCMEA). From November 27 to 30, the International Convention City Bashundhara (ICCB) in Dhaka will transform its Pushpanjali – Hall 5 into a showcase of ceramic excellence—bringing together over 136 exhibitors, 300 brands, and more than 25,000 visitors under one roof, with the support of the Export Promotion Bureau (EPB), Techna, ASEAN Ceramics, Keramika Indonesia, and Ceramic China. Now in its fourth edition, the expo has grown into one of South Asia’s most influential B2B platforms, drawing over 500 foreign delegates and participants from 25 countries. “This is Bangladesh’s only international exhibition dedicated to ceramics,” said Irfan Uddin, general secretary of BCMEA and chairman of Ceramic Expo Bangladesh. “With 31 local manufacturers and 105 global exhibitors, the expo creates unmatched opportunities for partnership, investment, and growth.” From raw materials to robotics, from sustainable kilns to smart design, the expo promises a panoramic view of what’s next in ceramic innovation. GLOBAL AND LOCAL EXHIBITORS The 2025 edition of the ceramic expo has a long list of local and foreign exhibitors. Every local ceramic company will join the show, along with international participants—most of which are raw material, machinery, or tech suppliers. Every participant of the expo has high hopes for Bangladesh’s ceramic industry. Kutubuddin Ahmed, chairman of Sheltech Ceramics Ltd, said the ceramic industry in Bangladesh is entering a new era driven by talent, quality, and a growing domestic market. “Ceramic Expo Bangladesh 2025 is the perfect platform to experience this progress.” Leading Chinese company Foshan HLT & DLT Technology Co. Ltd also believes ceramics have every potential to be the next big export earner for Bangladesh, said Marco Guan, deputy managing director of HLT & DLT and chairman of DLT, a supplier of engineering design, machinery, and technical know-how. Sacmi Imola S.C. (SALA), a global ceramic technology leader, sees Bangladesh’s strong entrepreneurial spirit and technical expertise as key to becoming a global hub. Despite challenges like energy costs, infrastructure gaps, and banking inefficiencies, local ceramic companies show resilience, long-term vision, and a focus on quality over price wars, the company said. SPONSORS Leading local ceramic company Sheltech Ceramics Ltd is the principal sponsor of this year’s Ceramic Expo, while there are three platinum sponsors: DBL Ceramics Ltd, Akij Ceramics Ltd, and Meghna Ceramic Ind. Ltd. The 2025 edition has four gold sponsors: Mir Ceramic Ind. Ltd and Abul Khair Ceramic Ind. Ltd from the local market, and Sacmi Imola S.C. (SALA) and Foshan HLT & DLT Technology Co., Ltd. from the foreign market. FOUR DAYS OF CERAMIC ACTIVITY “At Ceramic Expo Bangladesh 2025, local technicians will directly engage with global exhibitors to find real-time solutions,” said Moynul Islam, president of BCMEA. “It’s the world’s only trade fair uniting both Chinese and European ceramic giants under one roof.” Dealers’ Night One of the standout moments at Ceramic Expo Bangladesh 2025 will be the Dealers’ Night, a grand gathering designed to celebrate the people who carry the industry’s story to every corner of the country. More than just a networking event, Dealers’ Night will serve as a recognition of the sales leaders, distributors, and retail partners who bridge the gap between manufacturers and consumers. The evening will bring together over 200 dealers, sales professionals, and more than 20 industry leaders from across Bangladesh, creating a vibrant forum for exchange, collaboration, and celebration. It is here that the industry’s “deal-breakers” will share experiences, discuss market trends, and explore strategies to expand the reach of Bangladeshi ceramics both locally and globally. The BCMEA is organising the event with a clear vision: to honour the dealers and salespersons as the torchbearers of the ceramic industry. Their role is not limited to transactions; they are the storytellers who translate innovation into demand, and the ambassadors who ensure that Bangladesh-made ceramics find their way into homes, offices, and institutions. Seminars Every day at Ceramic Expo Bangladesh 2025 won’t just be about booths and business cards—it’ll be buzzing with ideas. Alongside the packed exhibition halls, multiple seminars will dive into the real issues shaping the future of Bangladesh’s ceramic industry. With over 70 manufacturers investing nearly $2 billion and more than 60,000 people directly involved, these conversations matter. From energy costs to export hurdles, topics that often go unheard will finally take center stage—thanks to open discussions between industry leaders, policymakers, and professionals. The seminars are: Energy Efficiency Strategies for Industry in Bangladesh: Challenges and Opportunities This seminar will explore how Bangladesh’s ceramic industry can adopt renewable energy, improve efficiency, and reduce costs. Experts will highlight practical solutions, policy frameworks, and global best practices to ensure sustainable growth amid rising energy challenges. Skills Development for Sustainable Growth in Industry Focused on workforce transformation, this session will examine training, technical education, and innovation-driven skill sets. Industry leaders and policymakers will discuss how nurturing talent can strengthen competitiveness, empower youth, and secure long-term sustainability for Bangladesh’s ceramic sector. Global Market Strategies: Challenges and Opportunities for Ceramic Products This seminar will analyze export diversification, branding, and competitiveness in international markets. Discussions will address trade barriers, logistics, and evolving consumer preferences, while showcasing strategies to position Bangladeshi ceramics as a global leader in quality and innovation. B2B / B2C Meetings The fair will offer ample space for B2B and B2C meetings, enabling local and global
Bangladesh ArchSummit 2025 Begins Alongside the IAB Build Expo 2025
The Institute of Architects Bangladesh (IAB) inaugurated the Bangladesh ArchSummit 2025 today, December 11. This year’s theme, “Crafting Space, Shaping Habitat,” sets the stage for a grand celebration of architecture, education, profession and practice, ideas, innovation, and excellence. Running in parallel with the Summit, IAB also launched the IAB Build Expo 2025, the country’s largest exhibition of building materials and construction innovations. Both events will continue until December 13 at the Bangladesh China Friendship Conference Centre (BCFCC). The Summit is open exclusively to registered participants, while the Expo is open to all visitors. This year’s Summit has been carefully planned with a distinguished lineup of renowned international and national speakers, along with a range of enriching programmes, including an exhibition of award-winning architectural works, roundtable discussions, a young citizens’ painting competition, a photography competition, and exciting cultural events for registered participants. Participants will also have the opportunity to attend the Student Forum, Youth Forum, and plenary sessions, where esteemed speakers will share their ideas, design philosophies, and professional insights throughout the three-day event. Day One began with the Student Forum, featuring a quiz and debate competition, and included the Summit and Build Expo Inauguration Ceremony. Other attractions include the Open Photography Competition, Young Citizens’ Painting Competition, and Public Exhibition on Architecture. The Young Painting Exhibition features curated artworks submitted by students from Classes 6 to 10. The jury panel for the selection included Architect Rafiq Azam, artist Afzal Hossain, and Farida Zaman. The theme of the architectural works exhibition, PEOPLE | PLACE | PRESENCE, celebrates architecture that shapes communities, responds to context, and defines presence through space. The exhibition showcases curated works selected from project submissions in the following categories: Internationally Awarded Projects (2024–2025) from Bangladesh IAB & BERGER Award Projects (last cycle) Public Projects (nationwide) Projects Located in Old Dhaka The project selection team comprised Dr. Abu Sayeed M Ahmed, Ar. Khan Md. Mahfuzul Hug Zaglul, Ar. Nowajish Mahbub, Dr. Khurshid Zabin Hossain Taufique, and Prof. Zainab Faruqui Ali. The ArchSummit and Build Expo aim to provide a platform for architects, students, industry professionals, and the public to explore architecture, innovation, and the future of the built environment in Bangladesh. Written By Tasmiah Chowdhury
IAB Build Expo, ArchSummit See Vibrant Participation of Architects on Day 2
Day two of the global events of the Institute of Architects Bangladesh (IAB) — the IAB Build Expo 2025 and Bangladesh ArchSummit 2025 — saw vibrant participation from architects, designers, academics, and industry leaders from home and abroad. While the ArchSummit hosted curated seminars and panel discussions for registered participants, addressing key issues within the contemporary architectural landscape, the IAB Build Expo — the country’s largest exhibition of building materials and construction innovations — remained open to all visitors. Held at the Bangladesh-China Friendship Conference Centre (BCFCC) in the capital alongside the expo, IAB launched Bangladesh ArchSummit 2025 under the theme “Crafting Space, Shaping Habitat.” The three-day event, running from December 11 to 13, brought together global and local experts from various fields to engage in dialogue on the future of Asia’s built environment. The ground floor of BCFCC hosted a lively exhibition where leading brands showcased their latest products and innovations, allowing visitors to explore advancements that support stronger, safer, and more sustainable construction. The second floor featured a dedicated ArchSummit seminar hall, with adjacent corridors displaying award-winning architectural projects from Bangladesh, creating a well-curated and dynamic event overall. Architect Rashed Chowdhury, a practising architect and founder of Dehsar Works (DW), opened the second day’s roundtable discussion on the “Poetics of Crafting Spaces” with a fundamental question: “Where is here?” “Our geographical and socio-political context inevitably shapes our responsibilities as designers — influencing how we think about space-making and the materials we choose,” he said. By posing this question, he invited participants to examine how the sense of belonging is defined, whether “here” is determined by political boundaries or by the deeper, more enduring contours of culture and identity. Speaking on materiality, award-winning green architect Rizvi Hassan remarked that it is much like cooking — and that, like any good chef, architects should feel free to use all the ingredients available to them. Shamsul Wares, a trailblazer of contemporary Bangladeshi architecture and an eminent art critic, reflected on how modern architecture’s obsession with efficiency has fallen short, arguing that true value lies in quality and the poetic dimension of space. “Architecture is about designing experience,” he said, highlighting light as both phenomenon and material. Wares urged architects to learn from modernity’s mistakes while considering the body, soul, and society in their work. “All art wants to be poetry. Poetry wants to be music. And music ultimately wants to be spirituality,” he concluded. The event’s guest of honour, Architect Fawad Suhail Abbasi, president of the Institute of Architects, Pakistan (IAP), reflected on how the day’s discussion prompted him to reassess his own practice. With his firm long focusing on brick and sustainable architectural practice, he realised that one cannot overlook the foundational lessons inherited from peers and mentors. He emphasised the importance of finding the mentor within oneself, following that inner direction, and discovering one’s own architectural path, much like the evolving journey of Bangladeshi architects today. After a break for prayer and lunch, a second panel discussion on design, dialogue, and direction in shaping habitat brought together local architects and academics. The discussion highlighted how governments worldwide often overlook the realities of architectural practice — advising against costly materials without recognising that every material has its place when used appropriately. One panellist noted that while academic curricula aligned with the SDGs have expanded, they fail to create responsible citizens who can truly improve the city and country. The day concluded with the IAB Induction Ceremony 2025, welcoming its new fellows and members. Chief Adviser of the Government of Bangladesh, Muhammad Yunus, conveyed his heartfelt congratulations virtually, noting that one of the year’s first significant milestones was the unification of the Architects’ Association of South Asia. With representatives from seven countries coming together, he emphasised that this collaboration would strengthen knowledge exchange, professional cooperation, and a sense of fraternity among architects across the region — particularly as many of their challenges remain shared. Written by Fariha Hossain
